Yin Yang Midnight/Episode 8

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Yin Yang Midnight
Episode 8
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IzumiSakyo-san, what did you want to talk to us about?
CitronIf it’s souvenirs, we should go with the classic yatsuhashi!
KazunariWhile we’re at it, I wanna get the bean mochi from Mitsuba[1] too~!
SakyoThat’s not it.
OmiIs something wrong?
Sakyo...I want to retake everything from the first day.
Izumi(Just as I thought... He wasn’t satisfied.)
SakyoYou’re not surprised?
IzumiI just had a hunch that you weren’t satisfied, Sakyo-san.
Sakyo...Geez. This is the one thing you’re good at catching on to, huh.
KamoWhat was the problem? If it’s the presentation—.
SakyoNo, that’s not it. It’s all a matter of my acting.
When I was preparing for my role as an onmyoji, I focused on the details of Abeno Seimei’s gestures and conduct, and I think I was successful at presenting him as a hero.
But in this story—“Yin Yang Midnight”—I want to paint a picture of Seimei that’s more than just a stereotype.
Through the Seimei that Minagi created, I want to show what Minagi wanted to illustrate, in a form that only I can perform.
A bond, a connection, a link that exists, even when you can’t see it....
Yukishiro knew how to show that. But I didn’t; that’s what was bothering me all along.
Yesterday, when I went to visit my father’s grave, I remembered what he told me about the origin of my name, and...
I felt a bond with my father, who I can never see again—I felt his kindness.
I felt like I could believe in this invisible, yet definite, bond.
Yukishiro said he plays Kou as a character who stays close to Seimei, even though he never expresses his affection.
The compassion of those surrounding Seimei—the compassion Seimei himself feels for Geppaku, whom he named....
When I thought about the story again, I realized that Seimei needs this compassion.
I want to take this Seimei one step further.
Even if it’s just a shard, if I believe that it’s what I’ve been looking for, I can’t give it up.
Izumi....
SakyoEven if I change my acting, it probably won’t be apparent on this film.
It might not change at all even if we retake it.
But for me, performing Seimei with this feeling burning in my heart gives him a soul—without it, he’s soulless.
I know I’m being selfish here. But please—let me do a retake.
IzumiSakyo-san....
—Let’s do it. Kamo-kun, is that all right?
KamoOf course it is!
Film at times captures an actor’s true essence. I believe you can spot this soullessness in our film.
Let me film the Seimei you’ve poured a soul into, Furuichi-san.
KazunariAs expected of Kamon!
IzumiEveryone has a better hang of performing for film, so it’ll go more smoothly than last time, right?
AzumaI’ll do everything I can.
CitronLeave it to me!
GuyI’ve gone over my weak points. It should be fine.
AzamiAll right, fine. I’ll save time on the preparations.
OmiI’ll do the same for our photoshoot.
KazunariI’ll work super-ultra hard too!
Sakyo...My bad.
CitronIt’s heave-ho for the sake of a good show!
AzumaThat’s right.
IzumiBy the way, what’s the story behind your name that you mentioned?
SakyoWhen he was struggling to come up with a name, he decided thanks to a paper fortune.
Said he pulled a daikichi and named me in hopes that I’d become as happy as the fortune predicted.
IzumiHe sounds like a wonderful father.
SakyoBut I’m a cold son for having forgotten all that up till now.
IzumiYou were young; there’s nothing you could’ve done about that.
Guy...Memories with your father are indeed precious, but they also remind you of when he disappeared from your life.
CitronIt might be too much for a young child.
SakyoYeah....
AzumaI’ve heard that the first thing people forget is their loved ones’ voices, but...
Even if you can’t remember their voice, so long as you can feel a connection—even if it’s just one thing—I believe you can remember them, and treasure that memory.
SakyoYeah, I think I understand.
GuyYes. Those bonds never disappear.
Sakyo...Yeah.
Kazunari—Hey, you know. There was a time when Sumi~ couldn’t remember his grandfather’s face.
He said that up till now, whenever something bad happened, or whenever he felt lonely, he’d always think about his grandfather’s face.
But Mukkun said that maybe he forgot because his life is full of happy moments now, instead of sad ones—he’s all right, even if he doesn’t remember as often.
Maybe Furuche-san is the opposite of that?
IzumiAh, I see... So Sakyo-san is happy enough to handle these memories now...?
KazunariYep! For little Furuche-san, I think losing his dad must’ve been a huge shock.
But maybe now he has something equally precious~, you know?
Izumi(Maybe it means everyone in the troupe has become that precious to Sakyo-san.)
SakyoI see... You’re right.
...I believe that I can perform a Seimei that’s unique to me now. Please help me along.
IzumiLet’s do our best!
(I’m looking forward to Sakyo-san’s Seimei filled with soul!)
KazunariAlright, OK~!
AzamiTime to fix your make-up.
SakyoPlease.
AzamiGeez. I was considering using that brush on you if your condition sucked that much, but.
SakyoOh, you’re going to use it on me one day?
AzamiWho knows.
Also, that’s the first time I’ve heard you talk about your dad.
SakyoI hardly remembered myself, so.
Azami...You and I might really be similar in a lot of ways.
SakyoWhat?
AzamiNothing.
Wonder if my name has some kind of backstory too.
SakyoYou don’t know? Because I do. Try asking your father next time.
Go home next week, and show him your face.
AzamiHell no.
KazunariOkay, onto the next scene~!
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Notes

  1. Kazunari refers to a small confectionery shop that has been standing for over 200 years. He calls it “Mitsu”ba, which means “three leaves;” the name of the actual shop is “Futa”ba—”two leaves”


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