Difference between revisions of "Act 4/Episode 28"
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Fimbulvetr (talk | contribs) m (tasupoo's yell-acting) |
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{{Line|character=Izumi|border=Izumi|dialogue=—Okay. This is it for final adjustments. As for the rest, let’s make it better and better during the show’s run! }} | {{Line|character=Izumi|border=Izumi|dialogue=—Okay. This is it for final adjustments. As for the rest, let’s make it better and better during the show’s run! }} | ||
{{Line|character=Azuma|border=Azuma|dialogue=We’re changing things up even in the middle of the show’s run? }} | {{Line|character=Azuma|border=Azuma|dialogue=We’re changing things up even in the middle of the show’s run? }} | ||
− | {{Line|character=Izumi|border=Izumi|dialogue=One of the strengths of | + | {{Line|character=Izumi|border=Izumi|dialogue=One of the strengths of theatre is that you can improve your acting more and more as you perform the show! }} |
{{Line|character=Homare|border=Homare|dialogue=I see. How flexible. }} | {{Line|character=Homare|border=Homare|dialogue=I see. How flexible. }} | ||
{{Line|character=Tsumugi|border=Tsumugi|dialogue=We have to make it even better. }} | {{Line|character=Tsumugi|border=Tsumugi|dialogue=We have to make it even better. }} |
Revision as of 05:58, 1 January 2018
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Notes
- ↑ This line is a mess because I can’t distinguish the difference between 通し稽古 and 場当たり, which both basically mean dress rehearsal. Btw I really recommend watching/listening through the story itself for this chapter and the next (& then later during the actual final performance in chapter 36) because the voice actors did such a fantastic job; some differences are subtle but you can tell that the characters improve with each performance
maria